Showing posts with label Bollywood Movie. Show all posts
Showing posts with label Bollywood Movie. Show all posts

Wednesday, January 20, 2016

Rebellious Flower; a spiritual Hindi film

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Rebellious Flower is a 2016 Hindi film directed by Krishan Hooda. The directorial debut written and produced by Jagdish Bharti is based on initial years of Rajneesh Osho. The film won Special Mention Jury Award at 12th Salento International Film Festival, Italy. This is first biopic on early life of Osho Rajneesh and its supported by Osho Foundation. The film is scheduled to release on 15 January 2016.

Rebellious Flower is inspired by life of spiritual guru Rajneesh Osho. The plot is based on several incidents from his childhood and young life. Child Raja embarks on a journey within himself to understand the universal truth. He meets three mentors - Magga baba, Pagal baba and Masto baba who guides him through his journey and helps him find the true essence of being.

Casting for Rebellious Flower:

Prince Shah – Child Raja
Shashank Singh – Young Raja
Mantra - Magga Baba, Pagal Baba and Masto Baba
Kirti Adarkar - Nani
Bachchan Pachera - Nana
Indal Singh - Baba

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Sunday, January 3, 2016

Tamasha; Indian romantic drama film

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Tamasha is a 2015 Indian romantic drama film written and directed by Imtiaz Ali and produced by Sajid Nadiadwala. It stars Ranbir Kapoor and Deepika Padukone in lead roles. Tamasha tells the story of character "Ved" (played by Ranbir Kapoor) who loses his self by living according to the social conventions expected of him.Principal photography began in Corsica, France in July 2014. Post this schedule, filming continued briefly in Indian cities—Shimla, Delhi, Gurgaon and Kolkata followed by two-day schedule in Tokyo, Japan. The filming concluded in Mumbai by August 2015.

The film score and soundtrack album are composed by A. R. Rahman, with lyrics from Irshad Kamil.

The film opens with Ved (Ranbir Kapoor) and Tara (Deepika Padukone) putting up a spectacle that shows monotonous life and feelings of a man in the corporate world. In the spectacle, they show a teacher complaining about a young boy to his father.
A flashback shows the complaint scene turning real where, in Shimla, young Ved (played by Yash Sehgal) and his father (played by Javed Sheikh) return back to home from school. He goes to a story teller (played by Piyush Mishra) who keeps mixing up his characters. He talks about Ram and Sita one day. The next day, he’s in Troy, with Helen and Paris. 

When Ved protests to disconnectivity of stories, the story-teller wants him to enjoy the stories. The next, his mind has transformed processions into Samyukta’s retinue during her swayamvar, as she searches for Prithviraj Chauhan, varmala in hand. Young Ved visualizes himself taking part in the Romeo-Juliet stage drama. He observes that each story has a sad episode in it.

Present day, the film moves to Corsica where Tara abuses a local man in Hindi for not letting her call back to India. Adult Ved is eavesdropping, he follows Tara where she narrates the incident of phone call to him. By the time a call returns to Ved’s phone from India she is just about to introduce herself to Ved. But Ved tells they mustn't disclose their identities that he is Don and Tara replies as Mona darling. Majority of the conversations they make in Corsica are filmy dialogues between Don and Mona darling. They earn some money putting a stage drama at an expensive restaurant.

The story flashes back to young Ved who questions the story teller about the reason for happy times ending up quickly.

The story returns to Corsica, and Tara has to leave for India. She tells a sleepy adult Ved that they won’t meet again. She kisses Ved goodbye and realizes that she has fallen for him.

The story flashes back to young Ved who is sad after the story telling session ends.

Tara returns to Kolkata, India. Through the song “Heer to Badi Sad Hai”, Tara’s sad and confused state of mind and life is shown. She is off to Delhi for work. Four years have passed. Once upon a day, a reading session in the library, Tara is surprised to meet adult Ved who is now a product manager. They reveal their original identities and she is happy to find Ved single all these years.

For the evening, she fixes a dinner with him at a Japanese restaurant. She expects him to talk romantic but Ved talks about the business of that restaurant, the brand Japan associated with the restaurant and companies. She calls Ved up home and they kiss. He leaves for his home. Next morning Ved wakes up on time, completes the morning chores, wipes the car, ignores the eunuch on the way, lets a female colleague into the lift all this happens on his way to the office. He fixes a plan for meeting Tara in the evening. This evening they are to PVR Cinemas. The incidents from morning to evening keep on repeating with monotonically.

It is Ved’s birthday when he proposes Tara with a ring in the cake piece. However, she tells him that he is changed. However, Ved tells he was acting in Corsica and this is original him. But Tara thinks contrary. Ved shoots down all this calling that it is all in her mind. Tara states that she is searching something else in him, further, she already has this share of similar monotonicity in her personal life. She leaves, declining his proposal.

Ved comes to Tara’s door to apologize but he is unable to get rid of the complexities in his mind being aware of the things he heard from the stories of childhood. Tara wants indirectly wants him to be normal . He leaves and travels in an auto-rickshaw driver (played by Ishteyak Khan) who narrates how his dreams of becoming a singer were crushed.

The film goes in flashback, scene in Shimla, where Ved tells his weakness in Mathematics and doesn’t wish to do engineering. His Dad narrates him that he had to give up his interest for flute playing to support his family after they moved to Shimla from Lahore post the Partition of India. He criticizes Ved’s failures during engineering and asks Ved of his future plans.
The film comes back to present day Delhi where he starts telling story session to some local people. Flashback scenes of Shimla are shown where Ved leaves Shimla and his interest to pursue engineering.
The film comes back to present day Delhi where Ved is back to his office. He is more aggressive and using illogical sentences in a business meeting which upsets his boss.

The story goes into flashback as to show what happened between Ved and Tara after the argument at the door. Tara tries calling him and they meet at the library. Tara expresses her realization of hurting him and apologizes. Ved affirms she in love but with someone else (else implied the Corsica natured Ved). Tara promises him to make things fine but Ved wants to get away from all the tussle and he leaves.
The next day Ved is off to his office but with a change in routine-instead of ignoring the eunuch on the way, he gives her the diamond ring. Later, on reaching the office, he doesn’t let a female colleague into the lift. During the business meeting he uses illogical sentences and portrays careless behavior. His boss throws him out of the job. Later, in a party he assaults the colleague who enquired of Ved's well-being.

Ved comes back to Shimla and reveals that he isn’t doing any job since six months and will leave the home right now after having a small quarrel with his father. Ved has introspection in the mirror where he realizes that he needs to meet the same old man (story-teller). Ved meets the story teller and narrates him the crux of his own life story with Tara. He expects an answer, however, the story teller, now old yells at Ved and tells him to introspect his heart and realize what he wants. Ved understands and pays him more and leaves. After a long time, the family is sitting together where Ved narrates his entire journey of life to everyone. Moved by the difficulties faced by him, his father hugs him and lets him act according to his will and wish. Ved returns to Delhi where the eunuch returns him the engagement ring. The eunuch tells that this ring is to be given to the special person in his heart.

The film shows Tara at the company Oracle in Tokyo. After finishing a business meeting she heads for refreshment where she observes a note titled “Don Returns”. She also observes a half filled tea cup and realizes that Ved is here. She moves outside the office premise and Ved draws her attention in the “Don” way and however, Tara introduces herself with a Japanese accent and both relive their Corsica moments.

The film goes into flashback, Shimla scenes showing the free spirited-young Ved, college going Ved and adult Ved.

The film returns to present day (first scene of the film) where Ved and Tara complete the process of putting up a spectacle on stage (in continuation of the opening scene of the film). Tara arrives from back stage and kisses him for the success. Film credits with principal cast and music personnel roll in. They are momentarily paused by a scene where Ved and Tara are enjoying music on a cliff, dancing to tunes played in their respective headphones.
 
Here
•    Ranbir Kapoor as (adult) Ved Vardhan Sahni
•    Yash Sehgal as (young) Ved Vardhan Sahni
•    Deepika Padukone as Tara Maheshwari
•    Javed Sheikh as Ved's father
•    Sushma Seth as Yash's grandmother
•    Vivek Mushran as Ved's boss
•    Nikhil Bhagat as Tara's father
•    Faraaz Servaia as Tara's brother
•    Punam Singh as Tea Executive
•    Piyush Mishra as Storyteller
•    Ishteyak Khan as auto-rickshaw driver
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Saturday, January 2, 2016

Hate Story 3; erotic thriller film

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Hate Story 3 is an 2015 Indian Hindi-language erotic thriller film directed by Vishal Pandya. Produced by T-Series, it stars Karan Singh Grover, Sharman Joshi, Zarine Khan and Daisy Shah in lead roles, and Priyanshu Chatterjee in a pivotal role. Written by Vikram Bhatt and Madhuri Banerji, the film belongs to the Hate Story (film series). The film was released on 4 December 2015.

The film starts of with a rich business tycoon Aditya Deewan (Sharman Joshi) and his wife Siya Deewan (Zarine Khan) inaugurating a hospital in the name of Vikram Deewan (Aditya's elder brother who died in a crash), Aditya on the occasion tells a touching and inspiring story about his elder brother giving half of his liver to his best friend Karan in childhood.

Out of the blue a stranger Saurav Singhania (Karan Singh Grover) gifts an expensive car to the Deewan's and invites them to lunch. At lunch Saurav makes Aditya an absurd offer of spending one night with his wife Siya, in return of huge investment in Aditya's business. Aditya angrily rejects the offer.
 

Saurav then starts plotting and planning to destroy Aditya's business. He bribes one of Aditya's factory worker to mix pesticides in his cola factory, forcing Aditya to shut down. Aditya puts all the blame in media on one of his trusted employee Kaya (Daisy Shah) and fires her. Kaya then joins Saurav's revenge mission by passing on secret information of Aditya's business. Kaya is also shown to be falling in love with Saurav. However later it is revealed that Kaya is still working for Aditya and is double crossing Saurav. Saurav also misguides Kaya by telling her a fake story about his sister committing suicide because of Aditya and uses Kaya to implicate Aditya further.

One day Aditya tells Kaya to transport money to a local politician for his business benefits. Saurav finds out about this and informs the income tax department causing a major loss to Aditya. Kaya feels helpless as she failed to save her company. Saurav confronts Kaya for betraying him and blackmails her that he will get her arrested as he has the audio recording of her conversation with Aditya as proof of her playing part in the bribery of a politician. Kaya is blackmailed to call Aditya and tell him that she cannot work for him anymore and that she is tired of being a pawn in his game, and to also blackmail him of revealing that he was also part of the bribery of the politician. Saurav records that phone conversation also. Once Kaya does this Saurav assures her that he will take care of her however the next minute ends up murdering her by twisting her neck.

Saurav then frames Aditya in Kaya's murder and gets him arrested, he anonymously presents the audio recordings of the phone conversations Aditya had with Kaya as evidence. Seeing all the evidence going against her husband, Siya goes to Saurav's house to spend a night with him in exchange for evidence that proves Aditya innocent. To Siya's shock on the night she notices a tattoo on Saurav's shoulder and realizes that he is actually Aditya's elder brother Vikram (Priyanshu Chatterjee), Thereafter a flashback is shown in which is revealed that both Aditya and Siya arranged for Vikram's death in order to get all his wealth and business. Siya realises that Saurav is Vikram and that he has returned back and is seeking revenge.

Saurav asks Siya to sign on the papers which gives back the business back to him, in exchange for Aditya's proof of innocence; Siya instead poisons Saurav and gets the proof. Aditya gets released from jail and Saurav ends up in the hospital. Soon after Aditya's release from jail he and Siya go to a property in which they have invested in for their business. Saurav runs away from the hospital and reaches there, where he open fires on their bodyguards, thereafter both Aditya and Saurav physically fight each other until they both get badly injured, right at the end Saurav kills both Aditya and Siya.

It is later revealed that Saurav is not Vikram but is Vikram's best friend Karan. Vikram survived the plane crash but got disabled. Thereafter Karan created a revenge plan for his best friend. In the end, Vikram meets Karan (Saurav's real name) in the hospital and says that he is his real brother as relationships are made from the heart and not from blood.

•    Karan Singh Grover as Saurav Singhania / Karan
•    Sharman Joshi as Aditya Deewan
•    Zarine Khan as Siya Deewan
•    Daisy Shah as Kaya Sharma
•    Priyanshu Chatterjee as Vikram Deewan (Cameo)
•    Sanjay Gandhi
•    Prithvi Zutshi as Wadhwani
•    Puja Gupta Special appearance in song "Neendein Khul Jaati Hain"
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Prem Ratan Dhan Payo Movie

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Prem Ratan Dhan Payo (translation: Receive a Treasure Called Love) is a 2015 Indian romantic drama film, written and directed by Sooraj Barjatya, produced by Rajshri Productions and distributed by Fox Star Studios. It stars Salman Khan and Sonam Kapoor in lead roles. This is the fourth collaboration between Barjatya and Khan after their previous films Maine Pyar Kiya, Hum Aapke Hain Koun..!, and Hum Saath Saath Hain.

The cinematography of the movie was done by V. Manikandan and was edited by Sanjay Sankla. The soundtrack was composed by Himesh Reshammiya, and the background music done by Sanjoy Chowdhury. The film was released in India and Pakistan on 12 November 2015 to very mixed reviews from critics and audience. It emerged as a commercial success and rank among one of the highest-grossing Bollywood film of all time with a gross of 400 crore (US$60 million) worldwide.
The film was also released in Telugu and Tamil versions as Prema Leela and Mei Maranthaayo Anbe respectively.

Yuvraj Vijay Singh (Salman Khan) a prince of Pritampur, is soon to be crowned as king and is engaged to Princess Maithili (Sonam Kapoor), but due to his stiff and stubborn nature Vijay faces many problems with Maithili as well as with his brother and sisters. His step sisters Rajkumari Chandrika (Swara Bhaskar) and Rajkumari Radhika (Aashika Bhatia) live in a separate house outside the royal palace, while his step brother Yuvraj Ajay Singh (Neil Nitin Mukesh) wants to kill him and take the crown with the aid of his manager Chirag Singh (Armaan Kohli), who is misguiding Ajay at every step. Yuvraj Vijay barely escapes a plan coordinated by Yuvraj Ajay and Chirag to kill him but gets badly injured. He's hidden in a secret chamber maintained by two doctors.

Meanwhile, Vijay's lookalike Prem Dilwale (Salman Khan) a perky, lively and carefree stage actor who falls in love with Princess Maithili, reaches Pritampur to meet her along with his friend Kanhaiya (Deepak Dobriyal). At a bus stop, the Security Head of Pritampur Palace, Sanjay (Deepraj Rana) notices him by chance, and takes him to Diwan Sahib (Anupam Kher). Upon witnessing the striking resemblance between Prem and Yuvraj Vijay, diwan asks Prem to take Yuvraj Vijay's place while Yuvraj recovers from coma. Prem acts as Yuvraj Vijay but with his simple and caring nature, he impresses Maithili who earlier wanted to break up with Vijay. Prem also reconciles with his sisters and brings them back to the royal palace.

When Yuvraj Ajay and Chirag gets to know the reality, they kidnap the real Yuvraj Vijay. Chirag decides to double cross Ajay, as he frees Vijay and provokes him against Ajay and Prem. Vijay and Ajay get involved in a sword fight when Prem and Kanhaiya intervene and clear the confusion. Chirag tries to shoot them down but falls to his death. Ajay regrets his deeds, while Vijay reconciles with his family. Maithili is shocked to know the truth about Prem and realizes that she loves Prem not Vijay, while Prem returns to his home. At the end, the royal family reaches Prem's house to reunite Prem and Maithili.

•    Salman Khan as Prem Dilwale/ Yuvraj Vijay Singh (Prince of Pritampur)
•    Sonam Kapoor as Rajkumari Maithili Devi
•    Neil Nitin Mukesh as Yuvraj Ajay Singh (Vijay's step-brother)
•    Anupam Kher as Diwan Sahab / Bapu
•    Armaan Kohli as Chirag Singh, C.E.O of The Pritampur Empire
•    Swara Bhaskar as Rajkumari Chandrika (Vijay's step-sister)
•    Aashika Bhatia as Rajkumari Radhika (Vijay's step-sister)
•    Deepraj Rana as Sanjay, The Security-in-Charge of the Royal Palace
•    Deepak Dobriyal as Kanhaiya (Prem's friend)
•    Samaira Rao as Sameera
•    Sanjay Mishra as Chaubey Ji (Head of Circus troupe)
•    S M Zaheer as Doctor 1
•    Micky Makhijja as Doctor 2
•    Lata Sabharwal as Mother of Radhika and Chandrika, poet of Royal Family
•    Suhasini Mulay as Grand Mother of Rajkumari Maithili
•    Namrata Thapa as NGO worker
•    Sameer Dharmadhikari as King of Pritampur (cameo)

The film received mixed reviews from critics.
Taran Adarsh of Bollywood Hungama gave the film four-and-a-half stars out of five, stating that "On the whole, PRDP is the perfect Diwali entertainer for the entire family. The film will win abundant love [prem], while its investors will reap a harvest [dhan], making it a memorable Diwali for all concerned."  Srijana Mitra Das of Times of India rated the film with 3.5/5 stars stating that PRDP is Salman Khan's triumph and he " simply blows the top off the theatres with a double role that makes you laugh, gasp, sigh - and cry." She also appreciated the performance of Sonam Kapoor, Deepak Dobriyal, Aashika and Swara Bhaskar. Sonia Chopra of Sify gave 3/5 stars rating saying that the film has its faults, but with actor Salman Khan's dual role, the movie is sure to hit the right spots with the family audience. Rajeev Masand of CNN-IBN gave the film a rating of 3/5 stars saying that the director employed the same successful formula he had tried in his previous films, but now "the tropes have gotten rusty, the emotions seldom feel genuine, and the writing is strictly surface level". He concluded that the film's only saving grace is the presence of Salman Khan who is in good form.

Shubhra Gupta of Indian Express gave the film a low rating of 1.5/5 stars, calling it a re-imagining of Ramayan and its million stories, criticizing it as "an out-dated, overblown rehash of the director's previous films", while Rohit Vats of Hindustan Times gave the film only 2/5 stars, calling it "as a film straight out of the '80s" rehashing the director's same formula, but appreciated music director Himesh Reshammiya and lead actor Salman Khan as "quite likeable and his comic timing has gotten better". Anna MM Vetticad of First Post thrashed the film as "half-baked, lifeless, low-IQ film with its juvenile humour and family politics that resembles circumstances in the cheapest saas-bahu soaps now running on Hindi fiction TV." and "lacks even the few qualities that made his earlier ventures bearable ". 

Sukanya Verma of Rediff.com rated the film a 2.5/5 stars stating, " PRDP sticks to its beliefs on sibling affection, family values and coy courtship and takes a lengthy route to assert so. Yet it is not the predictability but the lop-sided sentimentality of the director's narrative that hurts PRDP's intentions the most." She criticized the director for recycling "men versus women sporting contests, midnight kitchen rendezvous and the pristine aura of Prem", but appreciated the performance of Salman Khan eventhough it never matched his previous Bajrangi Bhaijaan act.
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